Gay Talese’s first article in the New York Times – his first not in a student newspaper — was published on November 2, 1953, when he was working as a copyboy:
Gay Talese: Looking for Hemingway. Esquire, 1963.
Eric Schlosser: In The Strawberry Fields. The Atlantic, 1995.
Sharecropping and peonage in CA’s strawberry-industrial complex.
Judy Bachrach: U Want Me 2 Kill Him? Vanity Fair, 2005.
Matthew Power: Excuse Us While We Kiss The Sky. GQ, 2013.
“Once you begin playing this game, the entire world becomes filled with secret doors.”
Atossa Araxia Abrahamian: Let Them Eat Code. Dissent, 2014.
On Silicon Valley’s obsession with homelessness.
Laura Bennett: Riding an Uber With Sam Biddle, the Tech World’s Least Beloved Watchdog. New York Magazine, 2014.
Michael Idov: “This Is Not a Barbie Doll. This Is an Actual Human Being.” GQ, 2014.
Robert McMillan: The Fierce Battle for the Soul of Bitcoin. WIRED, 2014.
Gay Talese: The Silent Season of a Hero. Esquire, 1966.
An aging Joe Dimaggio.
Matthew Power: The Cherry Tree Garden [PDF]. Granta, 2008.
On squatting in the Bronx in the 1990s.
Doree Shafrir: Can You Die From a Nightmare? Buzzfeed, 2012.
Quality longform, jarringly, on Buzzfeed, on people who suffer from violent night terrors.
Adam Begley: How John Updike Turned Everything in His Life to His Advantage in Fiction. Vulture, 2014.
In 1983, William Ecenbarger wrote a profile of John Updike. And Updike wrote a short story about Ecenbarger.
Rebecca Boyle: The end of night. Aeon Magazine, 2014.
An astronomy writer makes a biological case for less artificial light.
Patricia Hernandez: The Game I Played When I Was Scared To Death of Being Deported. Kotaku, 2014.
When Hernandez lost her passport, she became distracted by a satirical indie game about an immigration checkpoint. Compelling firsthand account of racism and anxiety over not belonging.
Erica Perez, Matt Smith and Lance Williams: ‘Uncle Leland’. The Center for Investigative Reporting, 2014.
How did an anti-gun democrat end up involved in bribery and gun smuggling?
Jonah Weiner: A Fight Is Brewing. The New York Times Magazine, 2014.
Two of the hottest beer makers in the world are identical twins — and they’re not on speaking terms.
There’s a new tech webmag in town, and they have an innovative idea. There are articles in Hot Tech Today, like in the old world of, uh, journalism, but in this bold new publishing model, there are also photos of scantily-clad women.
Are you not entertained? Twitter certainly wasn’t — though it took the edge off to notice that their launch website was riddled with typos and that the person behind their Twitter account writes like Dwight Schrute talks. In short order they were decried in various internet places, and while I’m sure it exists somewhere, I can’t find a single positive online response by a person not affiliated with the magazine.
Which is probably because Hot Tech Today’s implicit message is that consumers of tech news are men, and that women can only participate as eye candy, which is repulsive for a host of reasons. High tech workplaces and scenes are dominated by men, and sexism abounds. “Booth babes” are used to woo crowds at conventions, and sexual harassment is widespread. It is in this state of affairs that Hot Tech Today masterminds David Kelley and Erica Williams say they don’t get why everybody is so bent out of shape. Today, Williams posted an open letter to critics:
We embrace the idea that “Tech is sexy,” which is why every issue features tasteful, respectful, non-nude model photos and centerfold spreads. In this way we’re not only supporting the careers of some wonderfully talented models and photographers, but also giving our users both sides of that “Tech = Sexy” equation.
We certainly foresaw some level of backlash in this regard, and frankly we’re fine with that. Our magazine isn’t for everyone, and anyone who finds our material objectionable is cheerfully invited to go elsewhere for their tech news. What has surprised us, though, is the strongly held yet very wrong position put forward by some of our detractors that our magazine is somehow demeaning to women in general, and to women working in the tech industry in particular.
First, Kelley and Williams have pushed the idea that because Williams is a woman, they are immune to criticism. This is obvious nonsense. Judas, after all, was an Apostle.
Second, they’ve repeatedly tried to dress this up as a matter of feminists not being comfortable with sexuality. This is willfully missing the point. I imagine most of Hot Tech Today’s critics support the rarefied kind of pornography where everything is safe, economically just, consensual, and makes an effort not to disseminate harmful ideas about sex. Hot Tech Today — like previous generations of bad ideas like Maxim and Playboy — is presenting journalism and sexy models as two sides of the same hetero-male-oriented coin.
Starting a magazine in 2014 is a bold move, but this is a deeply flawed way to go about it.
Mona Gable: The Hugo Problem. Las Angeles Magazine, 2014.
Disgraced celebrity academic Hugo Schwyzer can’t stay off the internet.
Hanna Rosin: The Overprotected Kid. The Atlantic, 2014.
“It’s still morning, but someone has already started a fire in the tin drum in the corner, perhaps because it’s late fall and wet-cold, or more likely because the kids here love to start fires.”
Gawker: Inside The American Id: Chilling With the South’s New Secessionists. Adam Weinstein, 2014.
“Streaming over his head was a wind-blown flag with a field of thirteen stripes, with only one large star, not 50 small ones, in the blue corner. ‘This here?’ he said. ‘It’s part of maybe, like, one of the Christian flags.’ I later learned that it was the Liberian flag.”
Gay Talese: Mr. Bad News. Esquire, 1966.
A profile of New York Times obituary writer Alden Whitman.
Jennifer Egan: James is a girl. The New York Times, 1996.
On the fashion industry and adolescents. The subject, Jaime King, went on to quit fashion and become a successful actress.
Matthew Power: Confessions of a Drone Warrior. GQ, 2013.
“He says that when flying missions, he sometimes felt himself merging with the technology, imagining himself as a robot, a zombie, a drone itself. Such abstractions don’t possess conscience or consciousness; drones don’t care what they mean, but Bryant most certainly does.”
Amos Barshad: Wu-Tang, Atomically. Grantland, 2014.
“I went to war one time, and I literally felt the blood in my veins turn to metal, to the point where my enemies looked at me and bowed down. One of them started crying. The other one gave me $2,500.”
Alan Feuer: Steampunks at Sea. The New York Times, 2014.
Justin Heckert: Let Me Live That Fantasy. Grantland, 2014.
Puddles the clown has a heartbreaking voice, and somehow turned into an internet sensation. Strange and self-aware mixture of fact and local rumor, and a meditation on the weirdness of clowns.
Sarah Kessler: Pixel & Dimed. Fast Company, 2014.
Getting by in the gig economy.
Molly Osberg: Inside The Barista Class. The Awl, 2014.
Baristas don’t make much, but there’s a little bit of prestige a little bit of the time. Sort of like reporters.
Heather Rogers: Don’t Drink the Water: West Virginia after the chemical spill. Rolling Stone, 2014.
Ivor Tossell: The Story Behind The Rob Ford Story. The Walrus, 2014.
The “two reporters set out on what would become a bizarre, almost anthropological foray into the affluent suburb of Etobicoke: Rob Ford country.”
Nearly a year ago, I was rummaging through a dumpster at a grocery store near Alewife when I met Maximus Thaler, a local dumpster diver. Soon afterward, Maximus became relatively internet famous for his plan to open a freegan cafe that would serve only food that they pulled out of dumpsters. He raised the modest startup costs on Kickstarter and attracted significant media attention for what he was going to call the Gleaners’ Kitchen.
Unfortunately, things didn’t work out. They got evicted before officially opening, and never regained their footing. I ended up writing a story about it for Boston Magazine, which came out today. It’s a sad story, but there are broader themes that I think are important: accountability and expectations in the age of viral media and crowdfunding, how to effectively fight food waste, the importance of a real-world community to accompany internet ambitions.
Late this past Saturday night, my partner and I went back to the same dumpster, the first time I’d been dumpster diving in many months. Maybe I was looking for a tidy moral to the story. We found a loaf of bread, some bags of tortillas, a carton of eggs, a half dozen artichokes, blueberries and raspberries, oranges and limes, a bag of avocados, boxes of mushrooms, a single huge onion and an absurd number of potatoes. Spreading it out on the kitchen table at 2am, it was easy to see why Maximus wanted to bring dumpster diving to a wider audience. I wouldn’t be surprised if he eventually finds a way to do so.
Maximus recently appeared on a WGBH story about reclaiming food waste: